![]() Every piece of data is stored in each and every scene. Clicking SAVE synchronises the show file in the RAM with the copy on the internal drive.Įach scene is a complete picture (or snap shot) of the entire console. This tells you that the show file you are working on in the RAM is different from the show file backed up on the internal drive. We have now added a function where the console/offline software stops you from saving a show with no scenes in it. Once you have stored a scene you will see the SAVE button go red. So every Show File must have at least one scene in it. It is an empty folder waiting for data to be stored into it, in our case that data is scenes. When you create a show file it is basically the same as creating a new folder/file on your desktop. When you create a new show file (Automation>New) you will see an empty file with a read only scene at 0. When you want to store the work you've done (on the console or the offline software) the vessel to do this is a Show File. This is slightly different on the offline software, as this partician doesn't exist. This is because the whole systems 'state' is stored to the 'hibernation partician' every 5 seconds or so. Turn it off and it will come back exactly as you left it. You can use the consoles just like an analogue console, work on it, mix on it, set everything up. This would be similar to the hibernation partiction on a PC for instance. You have some RAM, an internal drive and a 'partician' where the console backs up. The consoles have a layered memory system similar to the way a laptop PC works. I'm also hoping this will help others once they read this too. But please excuse the length of this post, I'm just trying to be as clear as possible. It might help if I try and explain the way the memory structure of the consoles works, hopefully then it will all click together. Until you do that the show file you have loaded is not active. I've also managed to get hold of a 250Gb external SSD (USB3) (I do have internal SSD too but it's getting full) to collect all the audio on.The key step you are missing is that you have to load the scene by clicking NOW. ![]() The owner is even cool with me taking it to Spain!!!Īnd the venue are cool with it and have confirmed an open AES50 port on the Pro1 I have secured the loan FOR FREE of a DN9650 with a MADI network card AND an RME MADIface USB complete with 30m CAT5 - this will allow all the gear to be on stage and allow me to start recording at the start of the show and some BNC cable for the weekend. ![]() These can be phase aligned with the rest of your mix and blended in to add the feel of something actually happening in a real space, and can be brought up at top and tail of tracks to give crowd noise etc. I'd also suggest either bringing along or asking the venue to supply ambient mics to be recorded along with the rest of your input list. If it looks like it'll all come together, I'd go in there with a well prepared template file in your DAW of choice, and have an extra person with you to operate the recording laptop, as there's every chance that the house guy might be pressed for time to check it's all good before your show starts. Might have to do a bit of ringing around as it's quite specialist equipment and will probably only be carried by rental houses that predominantly use Midas consoles. If he's happy to do it, I'd approach a pro audio hire company local to the venue and enquire about the kit. ![]() I'd start with asking the venue if they're happy to facilitate it, as it's a bit of extra faff and configuration for the guy behind the desk to worry about, when he's likely to already be dealing with tight changeovers and all the other complexities of a live show. Pretty sure you need to connect a Klark Technik DN9650 to the AES50 port of the Midas, and the 9650 needs to be loaded with either:Ī: a Dante card which can be connected to a computer running Dante Virtual Soundcardī: a MADI card which can be connected to a computer with something like an RME Madiface in between ![]()
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